In Joseph’s Shadow: Part One


Tanya McNair, dressed in her favorite navy-blue blouse, which bore a faint trace of glitter from the campaign rally a month ago, moved from group to group of the crowded apartment. Her living room was alive with chatter, laughter, and the occasional burst of applause from friends and neighbors whenever a commentator announced another state leaning toward Obama. Tanya looked fondly at the old TV set sitting on the floor beneath the big, flat-screen they were all watching.

The floor model television belonged to her grandmother, Sidney McNair—Mama Sidney to everyone who knew her. Uncle Eddy had bought it after great-grandma Judith passed, back when he and his sisters decided to remain in Chicago a while longer. That was also around the time her father, Joseph, disappeared into what he later called a revolution of self-discovery, also known as abandoning the family until he found himself.

The television had been there through it all.

It was the same set where great-grandma Judith—daughter of the great Solomon, son of the first Stella—watched the Black Panthers march down the street in their berets and rifles, demanding the freedom of Huey Newton.

The same screen that flickered quietly in the corner the day Aunt Karen’s boyfriend, Noah, stormed into their lives. Years later, she would name their first and only son after him.

For Tanya, it wasn’t just a piece of furniture but a sacred repository for memories, a portal to her family’s history.

Tanya frowned at the stacks of books on top of it, wondering if she was disrespecting her grandmother by using her TV as a table.


A cheer erupted from the room as the phone rang. Tanya’s heart raced as she ran to answer it without taking her eyes off the flatscreen. So far, Obama was winning.

“Sisss,” sang her little brother.

Tanya raised her eyebrows, “Are you drunk already, Mike?”

“Nah. I’m good. What’s the word?”

Tanya sighed, “Michael, you are not good. I can smell the Hennessy through the phone.”

Mike burst into laughter, and Tanya pulled the phone from her ear. That boy was gonna make her go deaf. “Where are you anyway?”

“I’m handling some business. Why, what’s good?”

“The business you were supposed to be handling is here. What happened to you helping me with the party?”

“The election party? You know I don’t get into alla that,” he said, slurring his words.

“Well, you need to get into it. History is being made. Have you talked with Dad?”

“History? Yea okay. Nah. I ain’t spoke to him today.”

“He was supposed to be coming over.”

“Coming over where?”

“Over here, to the apartment.”

“Not today, he ain’t. He told me he was working on the Malibu.”

“That beat-up old thing?” Tanya sighed. “And I thought you ain’t talk to him?”

“Look, pops don’t wanna hurt yo feelings, but you know the old man don’t vote.”

It didn’t make sense to her. Joseph McNair was born in 1945 and grew up in the ’60s at the height of the Civil Rights Movement. He had heard Dr. King speak, fought segregation with his friends through protest, and was even beaten for trying to integrate at a bus station during the Freedom Rides.

Finding out he really was a mixed Black man and not the white boy he grew up believing himself to be is a history lesson all its own.

And now, as the country waited with bated breath to see if the United States really would elect its first Black President, her father, the revolutionary of the family, didn’t participate in politics?

Joseph McNair was politics!


“Yo T, you there?”

Michael’s voice startled Tanya back to the present, her heart beating a million miles per minute as her guests sat on their hands, quietly waiting on the biggest announcement of their time, the walls echoing with hope.

“Okay, well. I’ll call you back.”


Yep. It’s another Stella book in the works!

Ain’t No Red Carpet for the Prophet

Revolution sounds pretty.

This polished word

makes a giddy sound,

like raising your first

or rubbing your feet together.


We quote Martin with a rhythm that swells the chest.

Malcolm’s words hum like power.

Assata’s taste like survival.

Garvey’s tickles the ear.

Lumumba’s boom like djembe drums.

Angela’s convinces the tongue that it is brave.

But no one applauds

the silence that follows a truth

told too clearly

in a world where lies

are the laws of the land.


We forget that Zora died counting coins,

her name folded small in her own purse.

Lowered into the earth without a stone to speak for her

in a segregated garden of silence

while her words, once blazing,

lay out of print like abandoned children.


We forget that revolution is only another word for change,

and change is rarely applauded in its own lifetime.

The ones who bend the arc of the world

often do it alone,

unclapped.


Revolution sounds sweet in the mouth

like a hymn rising,

like the lift of a firstborn into waiting arms,

like the soft hush of skin against skin.

But ain’t no red carpet

for the prophet.

Just dust. Truth.

And the long walk home.


This poem was inspired by an amazing podcast episode of “Our Ancestors Were Messy” about the friendship between Zora Neale Hurston and Langston Hughes (which I’ve hinted at in my novel Renaissance), their fall-out, and what culminated in the tragic ending of a folklorist, documentarian, author, and anthropologist.

Once one of the most successful writers of the Harlem Renaissance, Zora Neale Hurston would die in poverty in the segregated wing of a welfare home. Her body would be buried in an unmarked grave. The woman who preserved Black life faded into obscurity until she was rediscovered by Alice Walker in 1973.

Walker would resurrect Hurston’s writings and place a marker on her grave that read, “Zora Neale Hurston: A Genius of the South.”

Black History Lives

Meeting Mrs. Sarah Collins Rudolph, the lone survivor of the 16th Street Baptist Church Bombing, 1963

The more I study Black history, the more I am humbled by how close it still is to us, and how often the past breathes in the same rooms we do. It lives in the hands of my elderly aunts and uncles, in my husband’s great-aunts now in their eighties and nineties, in the quiet authority of people who remember a world entirely unlike the one we inhabit today.

When I look at them, I am struck not just by their age but by the eras they have survived. Even my late parents, born in the 1940s and 1950s, moved through a country so different from the one I know that it feels almost unrecognizable. I used to think that world was gone, and in many ways, it is. And at the same time, it is also sitting across from us at dinner tables, folding laundry, telling stories we don’t always ask to hear.

This is what makes Black history (and history in general) so accessible and so urgent. It is not only found in textbooks, memorials, museums, or the names etched into stone. It is carried by people who are still alive. People whose memories collapse the distance between then and now. It reminds us that history is not just the past, but it is also inextricably connected to the present. Those who made history were simply living their lives, never knowing their present moment would one day be named.

This weekend is the perfect example of this.

On February 7, 2026, I had the esteemed honor of meeting a woman whose story should have been in our history books, but the world barely remembers her name.

On September 15, 1963, the distance between past and present collapsed in the basement of the Sixteenth Street Baptist Church in Birmingham, Alabama. A bomb exploded beneath the church steps, ripping through a space that had long been a place for organizing and for Black resistance. In 1963, Sixteenth Street was the largest Black church in Birmingham, a heartbeat of the Civil Rights Movement.

History often tells this story in a single, devastating sentence: four little girls were killed. Addie Mae Collins, Denise McNair, Carole Robertson, and Cynthia Wesley (between the ages of eleven and fourteen) lost their lives in an act of white supremacist terror. Their names are remembered, mourned, and rightly so.

What is mentioned less often is that there were five girls in that basement lounge that morning. Addie Mae’s sister, Sarah, was also there. She lived, but survival came at a cost that would follow her for the rest of her life.

Twelve-year-old Sarah Collins Rudolph was standing nearby when the bomb went off. The blast hurled shards of glass into her body, leaving her immediately blind in both eyes. Though she eventually regained partial sight in her left eye, her right eye was so severely damaged that it had to be removed and replaced with a prosthetic. Tiny fragments of glass remained embedded in her skin, even in her eye.

“If a single strand of hair got into my right eye socket, the pain was unreal,” she says, “The skin around my eye was very sore and still healing. It felt like something was cutting my eyes whenever hair or anything sensitive brushed over this area. The hair itself felt like tiny particles of glass stuck inside my eye socket all over again.”

– Mrs. Sarah Collins Rudolph

Sarah did not die in that basement, but she carried September 15, 1963, with her into adulthood, into older age, into the present we are still living in.

With no counseling or therapy, Sarah was forced to return to school as she struggled to heal, grieve the loss of her sister, and her old life. The world moved on. Dr. King spoke at the joint funeral for three of the girls, and it attracted over eight thousand people. Photographer Frank Dandridge took a picture of Sarah while she lay in the hospital, with patches over both eyes, and it was published in Life Magazine on September 27, 1963.

However, despite this searing image, Sarah Collins Rudolph and what happened to her faded from public consciousness, limiting her story to nothing more than a historical footnote.

It was only when Mrs. Rudolph herself felt compelled to share this story that the world began to learn about the part of that tragic day that had not been told before.

Today, Mrs. Rudolph is a social justice speaker, author, and activist speaking to people all over about what happened to her and why stories like hers matter.


Don’t forget we have Black History articles on this blog under Black History Fun Fact Friday and on Substack at substack.com@yecheilyah!

A Month and A Mirror

A hundred years ago, in 1926, Dr. Carter G. Woodson planted a small but deliberate marker in time—Negro History Week—never knowing it would one day swell into a month, a memory, a reckoning.

February has carried that weight ever since, in what is now known as Black History Month. It is a month crowded with remembrance, with names spoken loudly and moments replayed until they feel familiar.

But February also carries the ongoing debate over whether Black history should be relegated to a single month, primarily since Dr. Woodson himself never intended the week-long celebration to be permanent, let alone to encompass a whole month lasting 100 years.

For Woodson, he wanted Black history integrated into the mainstream curriculum, not restricted to a single week or, in our case, a single month.

For me, two things can be true.

If you’ve been following me for any amount of time, you know I spend 90% of my time reading, researching, documenting, and sharing Black historical facts year-round. Thus, I am for incorporating Black history into the mainstream curriculum and reducing its focus to a footnote or an elective.

But I do also love the idea of keeping it separate, special, and set apart, as we are.

Additionally, it’s a great time to promote reading. The harsh reality is that American reading levels are still declining. (2024 NAEP data show 12th-grade reading scores at their lowest level since 1992.) I’d bet that your average adult had not read a full-length book since High School, if even then.

Therefore, if February is a time when the minds of the people are not as distracted, then let us use it to do some good.

To quote Bob Marley, “The people who were trying to make this world worse are not taking the day off. Why should I?”

So while Black History Month is not the movement itself, I do see it as a mirror history placed in our hands. When we look into it, we do not see the past frozen in black-and-white—we see ourselves.

Our language. Our resistance. Our contradictions.

The mirror does not lie.

It shows us who we’ve been bold enough to become and who we’ve been too afraid to remember.


Don’t forget we have Black History articles on this blog under Black History Fun Fact Friday and on Substack at substack.com@yecheilyah!

Yecheilyah’s Book Reviews – Chains of Gold by Ken Robb

Title: Chains of Gold: Based on the True Story of Slavery During the California Gold Rush

Author: Ken Robb

PublisherWord Star Ink

Genre: Historical Fiction, US Historical Fiction

Published: September 22, 2025

Pages: 438 pages


The year is 1852, and Carter is shouting his freedom into the face of the law as deputies close in, threatening to drag him back to Mississippi in chains. From this moment of terror, the story retreats a couple of years back to the Perkins Plantation, where Carter is not free at all but enslaved, under the watch of a brutal overseer. It is here that Charles Perkins returns home from college to witness the abuse of his slaves.

Although Carter and Charles are half-brothers, playing side by side as boys, adulthood exposes the lie of that intimacy. One is granted power by birth; the other is denied ownership of his own body. I was struck by how powerfully the author juxtaposes affection and oppression throughout the story, illustrating how love can coexist with, and be corrupted by, slavery. Carter and Charles’ bond is no match for a system designed to break one man for the comfort of another.

Charles Perkins is the oldest to inherit the plantation. He was gifted land and slaves, and his father wants his sons to learn how to manage a plantation. Despite this, Charles is noticeably different from his brother. Rather than basking in the excitement of running his own plantation, Charles shows more compassion, doesn’t want the enslaved to be mistreated, and has dreams of going to California to find gold.

Carter is an intelligent Black man. He knows how to read despite being enslaved (something he hides), pays attention to details (especially details on slavery), carries his Bible everywhere he goes, and watches Charles’ back. He is more responsible and proves to be his brother’s keeper on more than one occasion.

While Carter yearns for true freedom, Charles is a man of his time. Despite how much grace he extends, he is still a slave master. As Charles reminisces about the beauty of the mansion and the land, recalling his father’s ambition and how hard their ancestors worked to farm and buy the land, Carter reminds him that “more land means more slaves.” He knows it was built with his family’s blood, sweat, and tears. (Robb 2025)

Though looking at the same view, the men see two different worlds. This is reflected throughout the story. While Charles’s love interest, Emmy, gives him a professional photo to remember her by, Carter’s love interest, Peg, gives him a charcoal drawing she made using a mirror.

My AI rendition of Carter and Charles

The narrative eventually follows Carter and Charles westward to California in pursuit of gold, a journey the author renders with careful attention to historical details. Rather than functioning solely as an adventure, the passage underscores the persistence of racial and social hierarchies across geographic space. In California, distance from the plantation does not translate into liberation from inherited roles. Charles’s attempts at fairness are marked by visible moral ambivalence, yet the surrounding society repeatedly reasserts the boundaries between them.

This tension is crystallized in several figures throughout the book, such as Bill, the seasoned miner, whose disapproval when Carter refers to Charles as his “master” exposes the unspoken codes governing race, power, and language. This tension resurfaces in Charles’s exchange with Fritz, who asks whether Carter is paid.

Although Charles views himself as well-intentioned, his decision not to compensate Carter—and his quiet assurance that the money would not matter to him—reveals how deeply he remains anchored in the assumptions of mastery. In this moment, Charles acts not as an equal or a brother, but as a man still shaped by the privileges of ownership.

The author does a good job of highlighting the lesser-known aspects of California’s history that are not widely taught.

Slavery and unfree labor were deeply ingrained during the Gold Rush era, despite California’s 1850 admission as a “free state” prohibiting slavery. Slaveholders brought enslaved Black people to work mines, and state laws like the 1852 Fugitive Slave Law enforced this practice. This resulted in complicated legal disputes, community resistance from free Black Californians, and the persistence of servitude until the Civil War.

The best thing about this book is that it’s based on a true story. Both the characters and the Gold Rush era are also well-researched, including the scene where Charles explains to the men how to transform the gold into banknotes. We often overlook the fact that paper money was once backed by gold, until the gold standard was removed in 1971 when Nixon ended the dollar’s convertibility to gold. This is why a dollar in 1800 had far more buying power than a dollar in 2025.

In 1850, $1 could buy what about $40 buys now.


This is a long book, so it will take some time to read. However, if you are looking for some good historical fiction, this one is well worth the time! I was eager to see what would become of the characters.

I think you will too.

Ratings

  • Plot Movement / Strength: 4/5
  • Entertainment Factor: 4/5
  • Characterization: 5/5
  • Authenticity / Believable: 5/5
  • Thought Provoking: 5/5

Overall: 5/5

Chains of Gold is Available On Amazon Here!


The Review Registry is Closed for 2025.

To Be Added to the Waitlist for 2026, please email the first chapter of your book to the email listed in our review policy with “Book Review Waitlist” in the subject line. While this does not guarantee a review, it places your book at the top of the list for consideration in the new year.

To apply for 2026, click here

IMG_8994

Yecheilyah’s Book Reviews is a reputable review service that features writers from around the world, including both traditionally and self-published authors. We are listed on Kindlepreneur as a top-tier book review blog and on Reedsy as one of their vetted active book blogs that provide insightful, excellent book reviews.

*Books are read in the order they are booked.

Yecheilyah’s Book Reviews -Cancer Courts My Mother by LindaAnn LoSchiavo

Title: Cancer Courts My Mother

Author: LindaAnn LoSchiavo

PublisherProlific Pulse Press LLC

Genre: Contemporary Poetry, Death, Grief, and Loss Poetry

Published: November 7, 2025

Pages: 40 pages


We live in a society with a rule we’re never taught, but somehow already know: you do not speak ill of your mother. Mothers are indeed sacred, but in this language, the rule is that mothers are beyond critique, beyond blame, untouchable. It means you are never to speak badly of them. Ever. Not in public. Not even to yourself. It’s not carved in stone or written on any wall, yet it hovers among us silent, expectant, immovable. Cancer Courts My Mother defies that silence.

These poems and stories peel back the polite mask to reveal the complicated, aching truth of loving a mother who has not always loved you well—and then being asked to care for the very person who once caused the hurt. It is bravery set to verse, honesty without apology, and the painful dance between resentment and devotion when illness becomes the final judge.

“Bad memories are cadavers that refuse burial. Instead of an archive of velveteen nostalgia, her name leaves gravel in my mouth.”

The title suggests that cancer is courting the mother, but more deeply, the illness is also courting the daughter who tells this story. In this piece, LoSchiavo is not only the narrator; she is the wounded child. As she tends to a woman who once sharpened every word into a blade, she is confronted with a new version of her mother: frail, softened by illness, gentled by morphine.

“Cancer helped adorn my mother with patience, her acidic breath pausing to accept the spoon that brought breakfast.”

The disease becomes an unwanted chaperone, pulling the daughter into an intimate dance between what was and what is—between the sting of old wounds and the strange tenderness of caring for the very person who caused them.

In the piece “Flash,” the author reveals how her breached birth changed everything.

“To hear my mother tell it, a respectful infant should politely slide from the womb.”

I felt sympathy for the daughter because one cannot control how they enter the world, and she articulates this with a raw truth in the lines, “eventually, I became a vegetarian, refusing to eat anything that had a mother.”

These kinds of powerful lines are all throughout the book, and you’ll want to sit wth them. While the book is a short, quick read, you wouldn’t want to rush through it. The words deserve to be savored for their deeper meaning.

While holding space for the daughter, I also felt empathy for the mother. I know from the testimony of family and friends that motherhood is no fairytale. I understand how a mother can lose herself to the point of resentment. I enjoyed balancing these two thoughts, and I love that the author gave me this opportunity.

As the Grim Reaper inches closer to claiming his prize, we can see how, despite the daughter’s feelings toward her mom, it is not without deep love, proving society wrong: We can tell the truth about mothers while loving them.

As KE Garland writes: “There are kind ways to characterize those we love, without denigrating them.”

The way this book is written conveyed the truth without judgment.

“When my mother died, she took home along with her.”

As someone who has also lost her mom to multiple illnesses, I sympathize with that powerful line, and it reminds me of a line from Nayyirah Waheed, who says, “My mother was my first country. the first place i ever lived.”

(The non-capitalization in Waheed’s lines is intentional.)

My only wish is to see this as a whole book, maybe a memoir, so we can have the entire experience. The poetry and the prose, the haikus, are all excellent, but it’s such a good story that I wanted to read some of it raw and without poetic decoration.

Ratings

  • Structure and Form: 4/5
  • Originality/Authentic Voice: 4/5
  • Creativity/Lyrical Content: 5/5
  • Thought Provoking: 5/5

Overall: 4.5/5

Cancer Courts My Mother is Available Now on Amazon!


The Review Registry is Closed for 2025.

To Be Added to the Waitlist for 2026, please email the first chapter of your book to the email listed in our review policy with “Book Review Waitlist” in the subject line. While this does not guarantee a review, it places your book at the top of the list for consideration in the new year.

To apply for 2026, click here

Up Next: Chains of Gold by Ken Robb: Based on a True Story of Slavery During the California Gold Rush

IMG_8994

Yecheilyah’s Book Reviews is a reputable review service that features writers from around the world, including both traditionally and self-published authors. We are listed on Kindlepreneur as a top-tier book review blog and on Reedsy as one of their vetted active book blogs that provide insightful, excellent book reviews.

*Books are read in the order they are booked.

Slow Down: Why You Don’t Need to Rush the End of the Year

This is the time of year when many of us are inundated with a call to “finish the year strong.”

A time when we will be pressured by businesses, organizations, and entrepreneurial gurus to race to the finish line. Social media posts will bombard us with how many days of the year are left, year-end discounts, constant promotions, and posts about how much we’ve grown before the year is even over.

But rushing into the new year doesn’t guarantee a fresh start. Sometimes, it just carries our burnout into January.

Yes, we know. January is not the start of a New Year. Anyone who has done the tiniest bit of research knows that a real new year starts in the spring, when everything is reborn, not in the dead of winter. Stay with me tho.

We’ve all experienced or witnessed the last-minute scramble of trying to summarize the year without fully processing it: trying to complete a weight loss program, write a book, or achieve financial goals in just 10 days. Office parties, school events, family gatherings, all crammed together to see who can win the most before January first.

It can feel like we’re running from something. Perhaps a feeling of not having done “enough,” maybe comparison, and maybe the belief that value is measured by productivity.

It’s already happening with Black Friday sales. As you may have noticed, I rarely have one. I have nothing against them, and I am sure I’ll have something special in the future. Maybe even next year. But for now, it just all feels so exhausting.

I’M TIRED YA’LL.

If you are also tired, remember there is nothing wrong with slowing down at a time when everyone is speeding up. If you are a nature person like me, you know nothing blooms all year long. We were born from the Earth, yet we move opposite to it.

While humans rush to prove their year was meaningful to other flawed humans, nature is slowing down for the winter months. Animals are hibernating, finding ways to escape the cold, and trees have shed their leaves, with plants stopping growth to conserve energy. Even the soil rests, with nutrients being regenerated under frost and snow.

Meanwhile, my neighbor blows his leaves every morning. Poor thing. I want so badly to tell him they are just going to fall again. Let them leaves alone. They are doing what they are supposed to do and helping the soil in the process.

On this side of the Earth, humans accelerate and accomplish as much as possible before the final countdown. But for other living things?

For them, this is a period of rest and preparation for spring.

Slowing down isn’t about doing nothing. It’s about doing what matters with intention.

When we slow down, we reclaim time.

We notice the beauty in ordinary moments, and we greet the “new year” with clarity rather than exhaustion.

Instead of rushing to create a version of ourselves that looks good on paper, we can walk grounded, nourished, and whole.


The end of the year is not a deadline.

It’s a doorway.

Walk through it gently.